Criminal Activities (UK Rating: 15)
Jackie Earle Haley? The name may not ring a bell, but his distinctive features will. A character actor who's been on TV and the big screen for decades, he eventually had his moment in the sun with an Oscar nomination for Little Children (2006). Since then, he's stuck to supporting roles, but in bigger films - Scorsese's Shutter Island (2010), Spielberg's Lincoln (2012), and the forthcoming sensation from Sundance, Birth of a Nation. Now he's invested those years in front of the camera into directing his first film, the thriller Criminal Activities, which goes straight to DVD in the UK on Monday, 7th March.When four friends are reunited at a funeral, one of them reveals he's had a tip-off about an investment that could make a huge amount of money. The drawback is that he doesn't have the cash to take advantage of it, but one member of the group knows how to lay his hands on the necessary amount, so they all invest and soon find themselves high and dry when the company goes bust. Worse still, the loan came from the mob, and now the four are faced with some unpalatable choices.
For a film that sets out to be hard-boiled and stylish, it's given itself some mountains to climb. For starters, the title is remarkably anodyne, one that could be attached to any crime thriller under the sun: it's so bland that it smacks of the makers wanting the film to quietly slip in under the radar. Get past that, and its major hurdle quickly becomes apparent - it's seriously derivative.
Screenwriter Robert Lowell is clearly a Tarantino fan. His script goes some way in trying to recreate the distinctive style, but doesn't get anything like close enough for it to be considered an homage. The majority of the storyline is set within 24 hours and somebody very nearly has their ear cut off. Ring any bells? Lowell doesn't confine his admiration to Tarantino, though, as he obviously likes a certain Bryan Singer film, as well, although his ability to lay out a puzzle at the outset doesn't reach the same level of skill. It's only during the film's climax that it becomes apparent that something more is going on and that somebody on-screen is essentially a poor man's Keyser Soze.