
Steve Jobs (UK Rating: 15)
This week is one for star turns, as opening in cinemas on Friday 13th November is Maggie Smith as The Lady in the Van, plus Michael Fassbender in the title role of Steve Jobs on the same day. This will be his third big film of 2015 - the others were Slow West and Macbeth - and, strangely enough, he was only third choice to play Jobs. Well, it looks like a case of third time lucky.
This is no conventional biopic, though, with Danny Boyle's film comes in three acts instead, each one culminating in a major product launch from Jobs' career. There's the Macintosh in 1984, NeXT in 1988, and the iMac in 1998, but the actual launches are never seen. The focus is on events behind the scenes, played out in real time, and, while they are constructed in similar ways, they always take the story forwards. His difficult relationship with his daughter, for instance - the girl he denies in the first part of the film. His working relationships with best friend Steve Wozniack (Seth Rogan), Apple CEO John Sculley (Jeff Daniels), and his Marketing Director, and "work wife," Joanna Hoffman (Kate Winslet), also come into play. Each part contains at least one big showdown between Jobs and a member of his team.
The focus is very much on him and his personality. The man on the screen would have been more than happy with that approach: in fact, he wouldn't have considered any other way of telling the story. He's highly talented, full of vision and ambition, but the other side of him is tyrannical, ruthless to the point of brutal, and a megalomaniac for whom loyalty and hard work mean nothing. His childhood - he was adopted twice - is presented as an explanation for his detachment from other people, but it isn't the full story. It does, however, give an insight into his most significant relationship in the film, that of him and his daughter, which was always troubled.
Fassbender is simply sensational as Jobs - a nightmare to work with, charismatic, commanding, and utterly riveting. He carries the film like he can't help it, but he can't deliver the showdown scenes without his co-stars being up to the mark, as well. His searing confrontation with Jeff Daniel's John Sculley sets the screen on fire with unbridled ferocity and it's easily the high point of the film. Scenes like that are also dependent on strong dialogue, and Aaron Sorkin's script delivers the goods in spades. Sharp and insightful, it's also given real precision by the scenes taking place in real time.


Exceptional - Gold Award
