Feature | Lights, Camera, Action! - The Lone Ranger

The Lone Ranger (UK Rating: 12A)

Now when the term 'Comedy Western' is used, it doesn't mean Blazing Saddles or Carry on Cowboy comedy. It's more Django Unchained in tone; a serious Western with some humorous aspects. However, here the two elements don't gel and cohere well enough. It's like two films running on parallel lines, like the two trains on neighbouring tracks at the film's climax. The two eventually don't meet but then they ultimately crash.

Neither half is particularly good or particularly bad. The comedy's a bit lame and weedy but well enough staged and performed, and the Western story is pretty routine and unsurprising, yet well enough staged and performed. The framing story of an ancient Tonto coming to life in a museum and telling his story to a little boy dressed as the Lone Ranger should be charming but instead it's only a distraction and time filler, adding more running time to an already overly lengthy movie.

Getting slacker and slacker after Pirates of the Caribbean, and wearing acres of mascara again, plus other bizarre make-up, and a dead bird on his head (don't ask why!), a still-likeable and appealing Depp provides all the light relief, of course. He's funny enough, after all. It's a tribute to his skills and popularity that he can get some big laughs with some quite weak lines. Although it's very dodgy that he gets to play the Indian 'noble savage' Tonto, quarrelsome sidekick to the great white man of a hero - John Reid - now turned into a masked righter-of-wrongs, former idealistic attorney and US Ranger, The Lone Ranger. The duo joins the Rangers on the trail of the evil Butch Cavendish (William Fichtner) and his gang and set out to bring him to justice.

The 6' 5" Hammer looks perfect in his white Stetson and little black mask that ironically provides no disguise whatsoever. However, he has the far more difficult task of the two stars, making a basically boring, one-note character exciting and appealing. That he does the job pretty darned well is big kudos to him.

The Lone Ranger is a Disney film and yet it's surprisingly very violent, with loads of shootings, maimings and deaths. The team should have it kept it light and bright and much more fun. There's an air of weary cynicism around when what's needed is bright-eyed innocence. The Lone Ranger's a product of a simpler time, and clean, simple, wholesome entertainment in homage to when the old TV show was the route to go. The Lone Ranger's values are out of synch with today's world and some significance, as well as humour, could have profitably come from this.

All round, the acting is fine - more than fine, in fact, as it's pretty much quality stuff. Among the support actors, William Fichtner and Tom Wilkinson have a great time; lip smacking, moustache twiddling and otherwise playing the very nasty indeed baddies, Butch Cavendish and Cole. Also, Helena Bonham Carter has a good time as a one-legged brothel madam with a gun in her peg leg, while Barry Pepper, Harry Treadaway and James Frain all create memorable support characters. It's a time of clean-cut heroes and dastardly villains, and the actors and script do very well in this department.

Unfortunately, though, the film is episodic, along the lines of 'and then, and then, and then' but it finally sparks up magnificently for a fantastic climax. Brilliantly and breathlessly staged, the famous William Tell Overture signature tune signals a brilliant, endless-seeming sequence that wraps up the film with all the excitement and dynamism that's been missing earlier. This sequence alone is almost worth the price of admission.

Hans Zimmer's rousing score and the incredibly lavish looking production that comes from its mega $250million budget are aces in the film's pack. Gore (Pirates) Verbinski's direction is not, though: it's often too leisurely between the well-staged bursts of action. The script's okay but not a particular winner: it can't find a plot that's new or exciting enough to fill the movie's vast canvas. If the Western's going to come back into vogue it needs better stories!

5/10

Average

Overall the film just goes to show that The Lone Ranger's not an easy one to transfer to the big screen and make a winner in this day and age. It failed in 1981 with Klinton Spilsbury and again 2003 with Chad Michael Murray, so perhaps it's time to leave The Lone Ranger alone, guys. Don't you know Westerns are out of fashion?